lunedì 15 febbraio 2016

Gabriel, Hegel e Nietzsche sul ruolo della musica nelle nostre vite: una scatola degli attrezzi per comprendere le nostre emozioni



Peter Gabriel.

"One musician who stands out in the cultural landscape for his profound engagement with the theory as well as practice of music is Peter Gabriel – and what seems especially striking are his repeated pronouncements that music should, to quote his distinctive formulation, provide us with “an emotional toolbox” to which we can turn at different moments of our lives, locating songs to recover, guide and sublimate our feelings".


Georg Wilhelm Friedrich Hegel.

"The philosopher Hegel argued that music is so necessary because it rehearses in the language of the body concepts and truths we are in danger of losing touch with when they reach us only through our rational faculties".


Friedrich Nietzsche.

"In his book The Birth of Tragedy from the Spirit of Music (1872), Nietzsche described two opposing forces at work in our lives.

The first is the pull of the Apollonian ideal, named after Apollo, the god of the sun, order, light, and knowledge. The other, opposing force he termed the Dionysian, after the Greek god of wine, chaos, irrationality and freedom, Dionysus. 

Nietzsche believed that both forces were highly necessary in individual and collective life: we need to be thoughtful and sober, yet open to the instinctive and the irrational – and it is by combining these two ideals that we stumble towards maturity".

"The ‘shiver down the spine’ we feel at points in music are encounters with our suppressed longings for forgiveness, reconciliation and harmony – returning to us with an alienated majesty".


The book of life, capitolo 5.

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